The Tamesis
This attitude aligns perfectly with the core of romance and brutal reality. loveland. “I’m talking about a dream come true for me and my partner and having a baby in the middle of it,” she said. “There were moments on the record where I went into the studio and largely just wrote word for word how I was feeling and processing those feelings, Everything is great and our dreams come true, but it keeps us far apart. We have a new baby. We don’t always stay at home for long periods of time. We move every few months. The record has both those moments and these very happy moments. “
In fact, a lot has changed in Waterhouse over the past five years. Of course, she had children, but music also played a big role in her life. In 2022, she released her first full album, I can’t let go, Three years of touring followed, opening for Taylor Swift, another record, and festival circuits.
and loveland, She is looking to expand. She’s once again teaming up with long-time TTRRUUCES collaborators Natalie Findlay and Jules Apollinaire, but this time, she’s also testing the waters with new partners. A romantic who likens the process to going on a date to see if you fall in love—she ended up working with The Nation’s Aaron Dessner at the famed Long Pond Studio in upstate New York.
Waterhouse “had a pretty rough time” on her last tour when she drove to work with Dessner, but there, she and her collaborators created “Seasons,” an atmospheric pop song that blended her soft-rock sound with Dessner’s signature melodic pop. “I think [‘Seasons’] It opened up a new sonic palette for us,” Waterhouse said.
The band also collaborated on the song “Almost,” which has a similar spirit. “I think we were in the middle of the summer and I walked into the studio and I thought, ‘What if I want something that you can swing to, but it’s not a full dance?'” she said. “I played him on 50 Cent’s ‘In Da Club.'” Dessner accomplished this with a subtle drum line.
Speaking of the whirlwind tour, Waterhouse said: “When it comes around, I’m eager for it, but I’m also terrified every time.” On stage, she takes it seriously, often wearing big Penny Lane-style coats paired with platform boots and bralettes, embodying a fusion of ’70s Californian aesthetics and 2000s indie style. “It’s not just your performance,” she reflects. “It’s also a place where all the people who love music come together, make friends and find common ground. For me, seeing how these communities grow through music, that’s the beautiful part of it.”
The community comes from all aspects of her life: some are fans of her fashion career, others of her movies, and still others only know her as a musician (“They think I’m about 26,” she jokes). But with this new project, she’s ready to show them another side of herself. “Making the record was a discovery for me and myself,” Waterhouse said. “So some things surprised me as well.”
