The Tamesis
when The queen wears prada The fashion house opened in 2006 and wasn’t entirely impressed at first. indispensable now new york times An article published on the eve of the release of the film – Ruth La Ferla’s extremely acerbic “The Duds of” The queen wears prada” – the clothes were almost tried on.
Anne Slowey (then fashion news director) Eller), quoted in that article, dismissed Patricia Field’s clothing as “a satire on how people who don’t work in fashion view people in the fashion industry.” Hal Rubenstein (then fashion director style) added that real fashionable women “vigorously edit what they wear,” unlike the “richness for the sake of richness” shown in movies. Fashion She remained mum on the film’s fashion, but during some on-set reporting from La Ferla outside Four Times Square (then the real-life headquarters of Condé Nast), she observed that the editors looked far less dramatic than their fictional counterparts—wearing airy dresses and slim-fitting pants with, in her words, “no logos or ‘it’ bags in sight.”
And then there’s Patricia Field herself, who offers the perfect rebuttal to the film’s stylish accuracy, or lack thereof: “If they want a documentary, they can watch the History Channel.”
indeed, The queen wears prada It was never reportage; it was mythology. This is life in magazines, glossed over, reality exaggerated by Hollywood. Miranda threw the furs onto the table like a royal decree. Assistants can create Chanel looks from head-to-toe couture wardrobes without anyone batting a Shu Uemura-esque eyelash curl. Everything tastes a little bit tastier.
rewatch The queen wears prada 20 years later, I find myself no longer concerned with whether Andy’s Chanel thigh-high boots are office-appropriate, but more interested in all the looks I suddenly want to try on myself.
Here are some of the trends and items (noteworthy is the @devilwearspradafashion Instagram account, which I reference heavily), which Fashion Editors would argue that it deserves a second act.
©20thCentFox/Courtesy of Everett Collection
Bring back…high tacky jewelry
Did you buy it at a Chanel boutique or from one of the blue moving blankets lining Canal Street? Patricia Field, in her wisdom, believes that the distinction doesn’t matter, but Andy’s gadget is ChanelChanel. Here she stacks two necklaces, including one from the Cruise 2006 collection, an ode to Paris itself, hanging alongside charms from the Eiffel Tower and 31 Rue Cambon. (Indeed, Field is doing some foreshadowing here: In a pivotal scene, when Miranda invites her to take Emily’s place at Paris Fashion Week, Andy is wearing her Francophile necklace. Andy may be pretending to be hesitant about the offer, but her jewelry is saying — no, scream-otherwise. )
