The Tamesis
The Garment’s Charlotte Eskildsen isn’t looking much for ideas this period. 19th-century Danish musician Vilhelm Hammershøj lives not much from The Garment’s workshop in Copenhagen, and his job integrates simpleness and calmness. The Francophile developer obtained the musician’s combination and versions’ postures for her Pre-Fall collection and lookbook, in which she connected the “covert story” of the Parisian entrances she photographed fanatically to the strange components of Hammershøj’s job. The outcome is a collection that is advanced, minimal and polished, softened by touches of drapes and underwear.
” Minimalism is not reduction yet climax, a concentrate on significance,” Eskilson composed in her notes. She thinks that essential to this period is a feeling of womanhood and verse. To do this, she integrated ’90s- design slide gowns right into the collection, stabilizing them with organized appearances, particularly a natural leather taxi coat influenced by ’80s New york city films.
The Garment has you covered with top quality pants and crisp fits; keep in mind the pleated full-leg white pants and trouser fits coupled with collarless coats you see in the lookbook. Somewhere else, there’s a weatherproofed raincoat with a headscarf that switches open and shut, and a pearl grey weaved coat with scallops at the switch placket and hem. Like Hammershøj, Eskildsen wants back sights. For very early autumn, she reduced a coat in fifty percent lengthwise to subject the back in an unique means.
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