The Tamesis
Uniforms are a concept that is often talked about. At Nanushka, it’s reflected in structured coats with cheek-length collars, impeccably draped dresses, sculptural tailoring and softly cinched waists. For fall 2026, designer Sandra Sandor unravels it all, infusing the Nanushka logo with a sophisticated, dappled new light.
Sandor started with preppy wardrobe elements—rowing-appropriate blazers, evening shirts, argyle knits—and let them breathe. Curved hem and elongated cuffs. Sharp herringbone suit with elasticated waist. The lampshade bodice subverted Nanushka’s simple tailoring style and appeared many times: fringed hip-length bodice, jersey T-shirt, sharp-shouldered blazer paired with red velvet cuffed slacks. (It’s not athleisure velvet, but more akin to velvet used for upholstery.) A classic double-breasted wool bouclé coat is trimmed with faux fur pile. “I really let our use of fabrics and draping guide the looks this season,” says Sandor. “It brings a sense of openness and freedom to pieces that would otherwise be stiff. There’s a sense of soft power.” The bow-wrapped tops seemed too sweet and not often in the Nanushka lexicon, but in leather and with asymmetrical hips, they were anything but saccharine.
There were also new, subtle Western elements that added to the free-spirited feel—the aforementioned fringe was everywhere on evening wear, as well as shimmering suedes, capes and leather ties, ice-blue prairie dresses and pilgrim-collar padded duchess jackets. Sandor’s Hungarian ancestry and the country’s shepherding traditions also endow him with bright red furry fur. (Actually 100% recycled polyester.)
As is usual with Nanushka’s style, the look was precise and essentially built-in: a dramatic body-hugging black satin dress and decadent plaid shirt combo was a one-and-done. The silk scarf is tied underneath to look like a turtleneck. A sheer checked organza top and pants set skipped over the body and draped down. What was inspiring was Nanushka’s preparation.
