The Tamesis
If we have any type of assumptions for Wes Anderson’s motion picture cosmos, it’s that every little thing will certainly be lovely. The well-known devoted to aesthetic appeals, for the supervisor, there are no tiny information. In his newest flick Phoenician Task (Premiered the other day at the 2025 Cannes Movie Event), Anderson employed Cartier to turn into one of one of the most regularly showing up props: the Rosary.
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Anderson’s twelfth directorial organization adheres to a rich, embattled business owner, ZSA-ZSA Korta (Benicio del Toro), that designated his only little girl, Liesl (Mia Threeapleton) as the beneficiary to his residential property. Liesl is a religious woman that is often illustrated as a rosary twisted around her hands.
